There are tons of examples of pro engineers using crappy microphones to record the drum room. Most pieces I’ve read on this subject miss this crucial step. Anytime you record snare top and bottom, you’ll need to check for phase issues. Need a budget-friendly option? You need an account to post a reply. Let’s say you have a microphone 1 inch away from an acoustic guitar. Already have an account? Rooms, kick in/out, high hat, and toms. I wouldn't worry about snare bottom. And while I realize the limitations of this practice, I think one of the most powerful tools for engineers recording drums on a budget is using sample replacement tools. First off, we’ll measure the distance from the overheads to the snare. Before we move on, let’s answer an important question. You could also use a special drum miking technique known as the Glyn Johns method. By the end of this article, you’ll know everything you need to to record radio ready drums. The bottom mic should look like a mirror image of the head mic. What do I mean by “crappy room”? Try to minimize the bad and maximize the good. Give it a try and see which option works for you. Hey there! Honestly, I wouldn’t record drums. First, set up what we call the “kick out” mic. Now that you have everything you need to start, let’s learn how to record our drum set. I’m here to help people make music that lasts. But if you ju, Home Recording Studio Setup [8 Essentials You REALLY Need], How to Build The Best DIY Vocal Booth (On a Budget), Logic Pro X: Everything You Need to Get Started, The Best Vocal Plugins of 2020 (No Matter Your Budget), The 5 Best Earplugs for Musicians in 2020, The 3 Types of Microphones You NEED to Know, Mixing Guitar: Full-Bodied Tone in 7 Easy Steps, The 13 BEST Reverb Plugins of 2020 (For Any Budget! That’ll save some real estate around the drum set as well as a lot of headaches when it comes to setting up. What if I told you that you can make radio-ready music at home, even if you’re new to mixing? Just as important as an in-tune drum set is an in-tune room. Writer at Musician on a Mission. Learn how to make radio-ready music at home… without wasting hundreds of hours on YouTube. Mixing can seem overwhelming, time-consuming and downright frustrating… if you don’t have a process to follow. This technique won’t make the drum set sound “larger than life,” but it’ll keep you from having any phasing issues. You could also put shelves full of books along the walls. First get a good mix using just a kick, snare, and overheads. Many DIY musicians start with an audio interface with only one or two mic inputs. To get the most accurate sound, you’ll want to mic the top head and the bottom head of the snare. Try moving it a few inches at a time and recording each spot. When using two mics the only thing you have to ensure is that you have an interface with two mic … By the end of this article, you’ll know everything you need to to record radio ready drums. First, put one mic above the cymbals and snare, like for the Glyn Johns method. You can lose a lot of the sound of the drum set to the phase cancellation of this technique. Easy as that. Recording is simple with this audio interface as it comes packed with a version of Pro Tools and Ableton Live.You don’t need to spend extra money on a digital audio workstation.. Hands-On With The Scarlett. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. Some of my favorite kick sounds came from putting a down feather pillow between the two drum heads. You’ll no longer feel confused and overwhelmed by the recording and mixing process. They point straight down at the floor above the cymbals. You’ll still get a great drum sound. As you move the microphone around, the sound of the snare will change. Some of them are even miked up twice. So, if you want a shortcut to pro-quality mixes, watch this free masterclass now: Before we continue… I’m guessing you’re here because you want to make music that sounds professional. If you’re looking for a budget option, check out the Focusrite Scarlett 18i20. Maybe you can speak to that more in your next article? So how does this relate to the room mic? Do you have two different low-end dynamic mics (and a hole in your audience-side drumhead)? Just set the mic low to the ground, pointing directly at the audience-side drumhead. Then scoot it forward until its a few inches away. If you can’t get the two mics to be the same distance from the snare, then one needs to be a multiple of three away from the snare. So, if you want to learn the *exact* steps that will take your mixes to a professional standard in under a year… If I don't intend on processing the drums much I mic drums modestly. But, you said: I need to record drums, guitars, vocals, and bass. Here are some key elements of rooms to avoid while recording drums. Inside this new free masterclass, you’ll learn the secret to making radio-ready music at home. That means the sound waves are out of sync with each other. Well, the room mic is most similar to the overhead mics, so we’re going to use those as our “close” mic. We’ll take a boom mic stand, and slip another low-end dynamic mic into the circular hole cut in the audience-side skin. :-). Unless you’re using a special technique, each drum in your set needs a microphone. This will go a long way to getting a good drum sound from the get go. By practicing all the steps outlined above, you’ll be recording great drum sounds in no time! Then put the second mic behind the drummer. The only reason I would ever mic a hi hat would be it I want to get the steely Dan sound and pan it all the way right for a wider stereo image. But you can get great-sounding drums in just 5 simple steps. How do you record something as complicated as a drum set with only two mics? But the other overhead is a few feet to the right of the low tom. Wherever the other end of the cable ends up, that’s where the right-hand mic should go. Like I said earlier, don’t worry if you don’t have a super expensive interface! This is really simple and involves taking only one mic to record your drum kit. Recording a drum with 8 mics, any advices? Worry about the quality after you’ve mastered the practice. On the front of the drum recording interface, there are two microphone inputs.. In this installment of Sound Pure Gear Tips, pro audio specialist Marc Kuzio gives us the rundown on an 8-microphone drum setup. Place the second microphone at a distance of a multiple of three from the closest mic’s distance. With this new approach, you’ll know exactly where to spend your time and energy. In order to record drums it’s good to look for at least four inputs, but preferably 8, channel inputs. A spaced pair is exactly what it sounds like. That’s right, he recorded Zep’s massive drum sound with only a few microphones. To fix this problem, you can put Moongels on the snare. Up next are the toms. So go and check it out now. Treatment can help your overactive room settle down to a healthy amount. It will help you avoid phase issues. Is the AKG C3000 (original black version) really THAT bad? See what mic sounds best and tinker a bit. It provides you with additional textures and a wider stereo image. Phase problems can often be fixed by hitting the “flip phase” or “flip polarity” button on your audio interface. Just take the guidelines from above and review the rooms you have available to you. Let’s say that the overheads are 4 feet above the snare. Or in a pinch, you can throw your wallet or some duct tape on the snare. So I have an 8 channel mixer, I'm recording drum set, and here's the list of mics I have: (2) SM 57 (2) SM 58 AKG C451B Condenser Beta 52 A A couple crappy Nady's CAD GXL 2200 My set up consists of a bass drum… Essentially there are as many ways as you can think of since you can move the mic …