The noise-masking acoustic diffusion you get in the best live venues lets you get away with all kinds of tricks, from extreme EQing to dynamics processing that would sound awful on a studio album. He offers up overhead miking tips, how to reduce bleed of the ever-present hi hat, why he uses multiple microphones on the kick drum, and more. If you have a very limited number of mics at your disposal — let’s say just two — these are likely to be overhead or room mics that help you get a balanced stereo image of the entire drum set as a whole. Note: when placing drum mics, it’s important to remember that sticks and hands and cymbals will be falling very hard near them, so make sure your mics aren’t in the way of the player or a rogue ride cymbal. There are lots of mic techniques for getting a great kick drum sound. You should keep the front of the mics on axis with the kit as you move them forward or backward. As he demonstrates how to mic up a drum kit, Jae takes some time to explain his microphone selection and placement, and why he’s making those choices. We highly recommend looking over our best dynamic microphone article if you don’t have mics yet. Put the mike inside the drum on the padding, pointing at the beater head. Once you have the mic above the snare sorted, you’ll pull a string or a mic cable from the beater of the kick drum to the overhead mic, then back to the center of the snare. KEEP THAT RATIO! Audio-Technica has 3 basic techniques for setting up your overhead mics for recording drums. To get the most from your drum kit during a Live performance, microphone placement is a crucial element that can make or break the show. The risk can be mitigated somewhat by keeping the two microphone capsules equidistant from the center of the snare drum -- but even then, the mic placement should be auditioned (in mono) to reveal possible problems with the kick, toms, or cymbals. Kick drums come in lots of sizes, from big, wide Bonham-style 14″ x 26″ bass drums to much smaller kick drums. The choice of mics and their placement around the drum kit can have a massive impact upon the recorded sound and, while there are no hard and fast rules when it comes to mic placement and choices, here we'll look at some of the most popular options for getting quick and easy results. This Mic Placement Guide can be used as a starting set-up no matter how big the room is or if you are indoor or outdoor. Overhead drum mics play an important part in drum recording. Overhead Mic Placement: The Mic Angle and Your On-Axis Focal Point Adjusting the overhead mic angle is another tool to get your balance right. Because the microphones are far apart, AB arrays are susceptible to comb filtering. mic positioning 13 correct ways to mic up a drum kit. Drum Overhead Mic Placement. This article breaks down mic placement to the individual drum pieces. The overhead microphone, which is closest to the hihat is in this placement moved further away from the hihat, which can be a lifesaver if the hihat is a bit overbearing when played hard - since there is less of it in the overheads, it makes it easier for you to control with a close mic. Remember, these are just guidelines, always defer to the judgment of your ears. What you want to be "on-axis" is dependent on what you choose as the focal point for the overhead mics. The Best Overhead Drum Mics Buyer’s Guide. If you want to go to town, you could opt for the old boundary- microphone-inside-the-drum trick to catch the click of the beater and more definition and punch. They allow the drums to sound more realistic, natural, and authentic to a listener. The most important aspect of sound capturing from overhead mics … Use these templates as a foundation and get creative! In a live setting, the biggest challenge most engineers face is getting the most gain without feedback, and the noise onstage and from the venue’s mechanical systems typically masks finer details like the noise floor of the mics. Kick Drum. Let’s walk through how to mic a drum kit, all the way from kick and snare to toms, overheads and rooms, including mic recommendations and placement. As a general rule of thumb – at a minimum, you will need a mic placed on your kick drum, a mic placed on your snare, and a mic overhead to pick up the rest of the kit. Some drummers and audio engineers, however, do not stop there. Mod… Shure’s SM91 and Sennheiser’s e901 are great to this end. You want to move the second overhead mic to the place above the drummer’s opposite shoulder that matches the same kick and snare distance.